Our Favorite Hollywood Soundtracks – Part 2


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Cover Photo by Thea HDC

This post was brought to you in collaboration with our partner site Behind the Score. Discover the Harmony Secrets of Modern Film and Video Games.

In Part 1, we explored some of the most iconic and influential film scores in cinema history. In this post, we continue to explore a further selection of soundtracks that have left a lasting impression on audiences and composers alike!

👉 Discover more details about the music from the popular Netflix series “3 Body Problemhere.

Raiders of the Lost Ark (1981) – John Williams

John Williams’ score for Steven Spielberg’s action-adventure classic “Raiders of the Lost Ark” is a masterclass in musical storytelling. It perfectly captures the film’s thrilling spirit and sense of adventure. The driving main theme is instantly recognizable and synonymous with Indiana Jones himself. Williams expertly utilizes a full orchestra with brass fanfares, pounding percussion, and exotic flourishes to create a soundscape that is both exhilarating and evocative of the film’s historical setting.

Kill Bill: Vol. 1 (2003) – Various Artists

Quentin Tarantino, much like with Pulp Fiction, utilizes a curated selection of pre-existing songs to create a unique and impactful soundscape for “Kill Bill: Vol. 1.” The soundtrack is a blend of surf rock, spaghetti western themes, and Japanese anime influences, perfectly complementing the film’s stylistic mash-up and homage to various genres. Tracks like “Bang Bang (My Baby Shot Me Down)” by Nancy Sinatra and “The Lonely Shepherd” by Riz Ortolani add to the film’s coolness and distinct atmosphere.

Amelie (2001) – Yann Tiersen

Yann Tiersen’s whimsical and playful score for the French romantic comedy “Amelie” is a delightful sonic journey. The soundtrack features a unique blend of instruments, including the accordion, piano, and melodica, creating a charming Parisian ambiance. Each track beautifully complements a specific scene or emotion in the film, leaving a lasting impression on the listener.

The Lord of the Rings Trilogy (2001-2003) – Howard Shore

Howard Shore‘s epic score for the “Lord of the Rings” trilogy is a monumental achievement in film music. The music is vast and evocative, capturing the grandeur of Tolkien’s world. Shore utilizes a large orchestra and chorus to create a powerful soundscape that reflects the film’s themes of good versus evil, fellowship, and the fight for Middle-earth. The use of leitmotifs for different characters, locations, and factions further enriches the listening experience and creates a sense of musical continuity throughout the trilogy.

WALL-E (2008) – Thomas Newman

Thomas Newman‘s heartwarming and nostalgic score for the Pixar animated film “WALL-E” is a testament to the power of music in storytelling. The score is a beautiful blend of delicate piano melodies, soaring orchestral arrangements, and electronic elements. Newman masterfully captures the film’s themes of love, environmentalism, and the power of hope through his music.

Drive (2011) – Cliff Martinez

Cliff Martinez‘s pulsating and synth-heavy score for the neo-noir action film “Drive” is a masterclass in creating atmosphere. The music is dark, brooding, and infused with electronic elements that perfectly complement the film’s neon-drenched visuals and fast-paced action sequences. Tracks like “Nightcall” by Kavinsky featuring Com Truise and “A Real Hero” by College & Electric Youth have become iconic in their own right, further solidifying the soundtrack’s place in pop culture.

Moonlight (2016) – Nicholas Britell

Nicholas Britell‘s minimalist and emotionally resonant score for the coming-of-age drama “Moonlight” is a powerful exploration of vulnerability and self-discovery. The score features sparse piano arrangements, haunting vocals, and classical influences, creating a soundscape that is both intimate and evocative. Britell’s music perfectly complements the film’s emotional depth and allows the characters’ inner struggles to shine through.

Spider-Man: Into the Spider-Verse (2018) – Daniel Pemberton

Daniel Pemberton‘s energetic and innovative score for the animated superhero film “Spider-Man: Into the Spider-Verse” is a vibrant and stylish celebration of all things Spider-Man. The score is a unique blend of hip-hop beats, Latin rhythms, and electronic elements, perfectly capturing the film’s fast-paced action and dimension-hopping visuals. Pemberton’s use of sound design and vocal samples further adds to the film’s immersive experience, creating a soundscape that is both fun and exciting.

Parasite (2019) – Jung Jae-il

Jung Jae-il‘s genre-bending score for the Korean black comedy thriller “Parasite” is as clever and unexpected as the film itself. The music seamlessly blends minimalist suspenseful cues with playful dissonant strings, reflecting the film’s dark humor and social commentary. The score also effectively utilizes traditional Korean instruments to create a sense of cultural identity.

Dunkirk (2017) – Hans Zimmer

Hans Zimmer‘s unconventional and tension-filled score for Christopher Nolan’s war film “Dunkirk” is a masterclass in minimalist storytelling. The music is characterized by ticking clocks, distorted brass instruments, and deep, unsettling drones. Zimmer’s use of sound design creates a constant sense of urgency and claustrophobia, perfectly capturing the intensity of the evacuation at Dunkirk.

Below, we’ve also added a video explaining an interesting musical technique (Shepard tone) used in the music of Dunkirk.

This post was brought to you in collaboration with our partner site Behind the Score. Discover the Harmony Secrets of Modern Film and Video Games.

View complete editions of music scores (PDF), score analysis (PDF), and HD music examples used in this lesson.

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